Jeanne SILVERTHORNE (b. 1950, Philadelphia, PA) is a sculptor.
From 1982 to 1992 she was a regular contributor to Artforum and Parkett magazines. From 2000 to 2008 she taught in the MFA program at Columbia University. Since 1993 She has been teaching at the School of Visual Arts, New York. She was represented for more than twenty years by McKee gallery in New York and Shoshana Wayne Gallery in California. She is now currently represented by Marc Straus Gallery, with whom she presented a solo exhibition in October, 2017. In September, 2018, she will reprise at the gallery the installation of her 1994 Untitled (Chandelier), with new work, a rubber-covered book of Mary Shelley’s Frankenstein, (handwritten in invisible ink).
She has had solo exhibitions, among other at the Phillips Collection (Washington, D.C.); Whitney Museum of Art (NY); Rocca Paolinea (Perugia); MoMA P.S. 1 (NY); the Institute of Contemporary Art (Philadelphia) and a mid-career survey at the Wright Museum (Beloit, as well as many one-person shows at galleries in NY, Los Angeles, Paris, Verona, Seoul, and Ireland.
Silverthorne has been featured in numerous museum exhibitions, including those at the Museum of Modern Art (NY); the San Francisco Museum of Contemporary Art (San Francisco); the Houston Museum (Houston); the Albright-Knox Museum (Buffalo); the ICA Boston (Boston); the Museum Landesgalerie am Oberosterrreichischen, Landesmuseum (Linz) and Kunstsammlungen Chemnitz (Austria); Haus der Kunst (Munich); Deste Foundation (Athens); Boras Konstmuseum (Boras); Umea and Edsvik Konstock Kultur, Sollentuna (Sweden).
Her work is in the collections of the following institutions: MoMA (NY); the Phillips Collection (Washington, D.C.); FNAC-Fondation Nationale d’Art Contemporaine (France); the Denver Museum (Denver); theColorado,Albright-Knox Museum (Buffalo); New York, Weatherspoon Museum (Greensboro); the San Francisco Museum of Modern Art (San Francisco); the Houston Museum (Houston), the RISDI Museum (Providence), the Leeum.Samsung Museum (Korea); the Sheldon Museum; the Contemporary Museum (Honolulu); the Whitney Museum of Art (NY) and the Addison Museum of American Art (Andover).
Silverthorne has had articles and reviews in the New York Times; Artforum; Art in America; Art News; Sculpture Magazine; the Village Voice; Art Press; the Art Newspaper; the Wall Street Journal and The Washington Post, among other publications.
She has been the recipient of various awards and grants, most recently the Guggenheim Fellowship; the Joan Mitchell foundation award and Anonymous Was a Woman award.
Jane Silverth0rne lives and work in NY (USA)
From 1982 to 1992 she was a regular contributor to Artforum and Parkett magazines. From 2000 to 2008 she taught in the MFA program at Columbia University. Since 1993 She has been teaching at the School of Visual Arts, New York. She was represented for more than twenty years by McKee gallery in New York and Shoshana Wayne Gallery in California. She is now currently represented by Marc Straus Gallery, with whom she presented a solo exhibition in October, 2017. In September, 2018, she will reprise at the gallery the installation of her 1994 Untitled (Chandelier), with new work, a rubber-covered book of Mary Shelley’s Frankenstein, (handwritten in invisible ink).
She has had solo exhibitions, among other at the Phillips Collection (Washington, D.C.); Whitney Museum of Art (NY); Rocca Paolinea (Perugia); MoMA P.S. 1 (NY); the Institute of Contemporary Art (Philadelphia) and a mid-career survey at the Wright Museum (Beloit, as well as many one-person shows at galleries in NY, Los Angeles, Paris, Verona, Seoul, and Ireland.
Silverthorne has been featured in numerous museum exhibitions, including those at the Museum of Modern Art (NY); the San Francisco Museum of Contemporary Art (San Francisco); the Houston Museum (Houston); the Albright-Knox Museum (Buffalo); the ICA Boston (Boston); the Museum Landesgalerie am Oberosterrreichischen, Landesmuseum (Linz) and Kunstsammlungen Chemnitz (Austria); Haus der Kunst (Munich); Deste Foundation (Athens); Boras Konstmuseum (Boras); Umea and Edsvik Konstock Kultur, Sollentuna (Sweden).
Her work is in the collections of the following institutions: MoMA (NY); the Phillips Collection (Washington, D.C.); FNAC-Fondation Nationale d’Art Contemporaine (France); the Denver Museum (Denver); theColorado,Albright-Knox Museum (Buffalo); New York, Weatherspoon Museum (Greensboro); the San Francisco Museum of Modern Art (San Francisco); the Houston Museum (Houston), the RISDI Museum (Providence), the Leeum.Samsung Museum (Korea); the Sheldon Museum; the Contemporary Museum (Honolulu); the Whitney Museum of Art (NY) and the Addison Museum of American Art (Andover).
Silverthorne has had articles and reviews in the New York Times; Artforum; Art in America; Art News; Sculpture Magazine; the Village Voice; Art Press; the Art Newspaper; the Wall Street Journal and The Washington Post, among other publications.
She has been the recipient of various awards and grants, most recently the Guggenheim Fellowship; the Joan Mitchell foundation award and Anonymous Was a Woman award.
Jane Silverth0rne lives and work in NY (USA)